I am very excited to be able to share this poetry collection today! I released this exclusively on my Patreon some time ago, but as of today it is available to the big, wide world as well š
Rather than reinvent the wheel, please allow me to share the Introduction from this collection with you here.
Introduction
In April 2021 the theme Iād given myself for Robert Lee Brewerās April Poem-a-Day challenge was āAgrarian Decayā which I chose largely because I wanted to write about where I grew up in rural southern Alberta.
Iāve spoken frequently about the conflict I feel about where I come fromāin so many ways I was a terrible fit for many of the people I was surrounded with growing up, but that hasnāt decreased the connection I feel with the place. And as I sat down to begin this PAD challenge I was homesick (landsick?). I hadnāt been any further from my home in Edmonton than I could walk in over a year because of a combination of the pandemic and problems with my right hip. So I was nostalgic and yearning and I thought Iād write about where I came from.
Perhaps I should have chosen āHomesick/landsickā as my theme but I love the word āAgrarianā and while looking for something to pair it with Decay just fit. So I thought, āOkay, letās explore this thenā¦ itās not exactly about where you came from, but it could be a fun filter to look at it through.ā
The first poems I wrote were full of frozen moments that included abandoned homes scoured grey by wind and time, wooden wagons with wheels buried up to the axle at the corner of a field and rusted out bodies of cars lined up in a row from oldest to newest. But it only took until day three before the first ghost appeared.
I invited it in, wrote about it (that poem eventually grew up to be āThe Longest Journeyā) and then sent it on its way while I attempted another non-speculative poem about my chosen theme.
The next day some demons showed upājust sort of appeared fully formed on the page. I exorcised them from my brain to the page in a poem that eventually became āRelicā and tried to get back to my theme. Alas, then there were werewolves, and more ghostsā¦ I got back to something non-speculative a few days later but even though it was rural it didnāt fit my theme.
Thatās when I finally got it. The theme wasnāt going to work. I wasnāt writing about agrarian decay, I was writing about the prairiesāabout the spirit of the prairies as recalled from my childhood as I stewed in a very particular combination of nostalgia, sadness and homesickness, and also about fictional spirits which might inhabit that landscape.
Iāve gathered together some of the best examples of what I wrote for my new themeāPrairie Spirit(s)āinto this collection, and tucked in a few poems Iād written before that also fit.
The resulting collection is mostly speculative (meaning it has elements of fantasy, science fiction or horror) but has some non-genre poems sprinkled throughout, as well as one or two which straddle the line between and can fully be interpreted either way.
Almost all of these poems are dark and many deal with death (including of children and animals) so they might be best taken in small doses with your shields in place unless, of course, you prefer stepping into the haunted house with no flashlight. To each their own.
Rhonda Parrish
Edmonton, Alberta
10/29/2022
āThe collection of poems impressed me with its wide variety, as it explored different facets of the supernatural (or, more specifically, the human spirit). There were moments of humor, horror, sorrow, and nostalgia scattered throughout. I appreciated how the seasons of prairies and landscapes were seamlessly woven into the supernatural themes and language of the poem. The imagery was abundant, and I recognized and appreciated every detail.ā